Scott Walker

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Scott Walker (born Noel Scott Engel, 9 January 1943 - 22 March 2019) was an American-born singer, songwriter, and producer whose career spanned more than five decades. Beginning as a teen pop idol with The Walker Brothers, he later reinvented himself as one of the most adventurous and enigmatic figures in popular music. His artistic journey - from lush baroque pop ballads to stark, avant-garde compositions - has made him a cult figure and a profound influence on musicians ranging from David Bowie to Radiohead. Scott Walker was born in Hamilton, Ohio, and grew up in California. He developed a passion for music early, influenced by film scores and European chanson singers such as Jacques Brel. By his teens, Walker was already recording under his birth name, releasing singles that hinted at his powerful baritone voice. In the early 1960s, he moved to Los Angeles and became part of the West Coast session scene, where he met bassist John Maus (later John Walker). Together they formed The Walker Brothers - despite not being related - and were soon joined by drummer Gary Leeds. In 1965, the trio moved to London, where they found massive success. Their sound - lavish orchestral pop anchored by Scott’s deep, melancholic vocals - stood apart from the raw energy of the British Invasion. The Walker Brothers scored hits like “Make It Easy on Yourself” (1965) and “The Sun Ain’t Gonna Shine (Anymore)” (1966). At the peak of their fame, they rivaled The Beatles in popularity in Britain. Yet Scott grew restless, uneasy with the screaming fans and the constraints of being a pop idol. In 1967, Scott left The Walker Brothers to pursue a solo career. Between 1967 and 1969, he released a string of acclaimed albums – “Scott”, “Scott 2”, “Scott 3”, and “Scott 4” - that revealed his growing ambition as an interpreter and songwriter. These records blended orchestral pop with European influences, particularly the work of Jacques Brel, whose songs Scott covered with intensity and drama. His own compositions, such as “Montague Terrace (In Blue)”, “Plastic Palace People”, and “Boy Child”, were sophisticated, existential, and darkly poetic. Though celebrated by critics, his later albums sold less well. By the early 1970s, Walker had grown disillusioned, releasing more conventional material and struggling with his artistic direction. The Walker Brothers reunited in 1975, achieving success with the album “No Regrets”. However, it was their final album, “Nite Flights” (1978), that marked a turning point. Scott’s contributions, particularly “The Electrician”, revealed a stark, unsettling new style, blending minimalism with unsettling lyrical themes. These songs laid the groundwork for his later avant-garde direction. After a long silence, Scott reemerged with “Climate of Hunter” (1984), an experimental, sparse record" that baffled listeners but signaled his commitment to pushing boundaries. Over the next three decades, he released a series of challenging, uncompromising works: “Tilt” (1995), “The Drift” (2006), “Bish Bosch” (2012), and “Soused” (2014), with experimental metal band Sunn O))). These albums abandoned pop conventions entirely, featuring dissonant soundscapes, abstract lyrics, and disturbing imagery. Walker’s baritone, once silky and romantic, became a stark, operatic instrument deployed in service of art that blurred the line between music and modernist composition. Scott Walker died on March 22, 2019, at the age of 76. By then, he was revered as one of the most visionary and uncompromising artists of his generation. His influence is immense. Artists such as David Bowie, Nick Cave, Jarvis Cocker, Thom Yorke, Damon Albarn, and Bat for Lashes have all cited him as a major inspiration. He remains a cult figure whose work bridges the worlds of pop, avant-garde, and classical music. Scott Walker’s career was one of radical transformation. He began as a pop idol adored by teenagers, then turned his back on fame to pursue an uncompromising artistic path. His music, whether lush ballads or nightmarish soundscapes, was united by a deep sense of drama, a quest for truth, and a refusal to compromise. Today, he stands as one of the most original and mysterious voices in modern music.

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Song Peak Date
Scott Engel
The Old Man's Back Again (Dedicated To The Neo-Stalinist Regime) 7 5 Dec 1969
Scott Engel
Duchess 8 5 Dec 1969